More word stats:
or: 1729
and: 1579
a: 1015
but: 352
ass: 81
because: 71
count: 28
bastard: 8
More word stats:
or: 1729
and: 1579
a: 1015
but: 352
ass: 81
because: 71
count: 28
bastard: 8
Jen gives me a copy of The Warriors on DVD as a 50k word gift. What a wonderful movie….
And, as I discovered, a perfect metaphor for the recent journey I went through. Dig it:
The Warriors (me, preferably Swan, since he’s the badass, but I’ll take any of em…Cowboy, or one of the fantastically afro’d guys….) are forced to fight their way home from the Bronx (November 1st) to Coney Island (December 1st) through all the gangs of New York (50,000 words.)
Amazing, huh?
Everyone focuses on the classic line from Warriors: “Waaaaaaarriors….come out and plaaaaaa-aaay.”
But I’d like to offer up this new line that should always be remembered and often quoted:
“Can you count, suckas?”
Wonderful.
Some in depth statistics:
Word count: 50,394
Characters (letters, symbols and spaces): 270,246
Characters (letters and symbols; no spaces): 219,802
Characters (somewhat developed people): 4
Paragraphs: 1018
Pages: 92
Average length of word: 4.36 characters
Average length of paragraph: 49.5 words
Punctuation
Periods: 3,134
Commas: 2989
Question marks: 573
Double dashes (–): 228
Words
the: 3417
I: 1977
word: 99
Sheila: 64
fuck: 64
shit: 52
phone: 38
damn: 11
(Interesting that I used the word “fuck” just as often as one of the main character’s names… Whee!)
Soooo hey, there’s a weight off my shoulders. Thanks to everybody who kept asking me what my word count was. It’s done, it’s done, it’s done!
fifty thousand words
that say less together than
one of these haiku
Dave wins. I am talking about the end of NaNoWriMo. Says Dave:
“I can’t wait for December, NEARDM: National Edit A Rambling Disaster Month”
true dat.
almost there…
I know you’ve all been wanting new updates and excerpts.
Well go to hell, I’ve got a novel to write.
No no, just kidding.
31398 words. About 3000 short or so. Already 1000 written for the day, so I think I can make my 2000+ quota for the day. Funny how much that jumps….
Here’s your stinking excerpt:
Memories. I think about the places I’ve been and the things I’ve done and they don’t seem real. Everything is just a dim, blurry image in my head. Who’s to say I’m not making it all up as I go along? Specific incidents from my past are so vague that it all might as well be a badly remember story someone once told me. Or an episode of a television show that I saw a long time ago and didn’t pay very much attention to. I can’t remember last Friday’s lunch. I remember meeting Sheila as well as I remember my fifth birthday: fuzzy flashes of images and movement, so much room for re-interpretation. Any details I give have been made up, by me, or Sheila, or any number of othe people whose embellishments of the story have added up and been added on through the years. All these memories must belong to someone else. Even photographs don’t help. I might have been retouched into them for all I know.
So who am I? How did I get to where I am? It must have been quite a journey. I don’t remember a single step of it. I’m certain someone knocked me out and carried me here. To this moment. And then to this one. Am I awake now? Will the future be any different? Will I remember this moment of writing these words and think, even that memory is false, even that time someone else was controlling my hands and feet and head and pushing me along the path?
Every second of every minute must have been — and must continue to be — programming that is, at the same time, the determination of my future and the result of my past. I guess I can just shut my eyes, and let it go. Let it ride….
A banging noise. And yelling. “End of the line!” I wake up quickly. Disoriented, sluggish, embarrassed. Unsteady. The conductor is hitting a metal bar directly above her head with a wooden stick. “Get off the train.”
“I’m trying, I’m trying,” I say. To my feet and through the doors, I have no idea which end of the line I’m at.
It turns out I’m at the opposite end of the line from any end of the line I’d like to be at. In Chicago, this means being at the ass end of the Red Line train. 63rd street. The kind of place that people like me don’t visit and live to tell about. I have no idea how I ended up here. Was I on a train a minute ago? Was I thinking…. It’s all so blurry. I’m pretty sure I was headed North at some point. I’m pretty sure I wasn’t on the Red Line. Am I awake and dreaming? Am I asleep and walking? I have no idea how I ended up here….
And I then face that terrible feeling, like in the Walgreen’s parking lot, where any choice I make will not lead me to ruin, but just won’t lead me anywhere. I can’t leave the platform, I can’t stay on the platform. I can’t choose, and I can’t not choose. There is no way to win this one. The thought of going home, again, what’s the point? What’s the point in staying here or not staying here? What’s the….
No. Go home, there may be no point, but there’s a reason that it’s called home. You’ll feel better in the morning, you’ll feel better in the morning, you’ll feel better in the morning.
Barely able to open my front door, close it again, take off my coat. Too late for sleep, too early for anything else. Such a disturbing in-between time, 4:30 until 6:30. There’s no point to it. Up until now, I wasn’t even certain it existed. Too much in my head to think. Too many feelings… this feeling like I’m not as alone as I think I am. This feeling like I’m being watched. This feeling like I’m watching myself. A blow to the back of my head in the form of Sheila’s voice, “Will, I need to talk to you.”
“Woah, woah. Ease up there. It’s too early…or late for this. I’ve had the shittiest night on record. What’s going on?”
“I’m worried about you. You’ve been acting strangely lately. You’ve been acting out.”
“Oh all that crazy stuff I’ve been doing? I guess it seems pretty weird, but it’s really just for show. And for fun. You really do become free once you let go of the social norms.”
“You’re worrying your family. You’re about to lose your job. You –”
“Is this an intervention?”
“Why did you spend the night riding the trains?”
“I don’t know. There was….no, I don’t know. I ended up on the wrong end of town and had to make my way back here. There is nothing more depressing than the people on the train at 3 in the morning. And the sound of a nearly-empty train going through the tunnel at speed. It’s agonizing. And returning to an empty house….”
“I’m here, Will,” Sheila says. That soothing voice again.
“But why? Or better yet, how? In what way are you here?”
“As long as your head isn’t empty, your house isn’t empty.”
No update here for long while. Can’t afford waste wrds or even letrs here, so make do.
No, just kidding. Word count up to 26k+. Well far behind, but who gives a rat’s tooshie? Two more big milestones to hit. 4k till 30, 14k till 40 and….let’s not think about the last one.
Another tasty excerpt:
“What on Earth are you doing?” my mother asks.
“Oh, we’re boycotting ‘The Vagina Monologues.'” I reply.
“Why are you doing that, Will?” she sighs. Eve Ensler, Oprah Winfrey and Roger Ebert are the three people alive that my mother will listen to.
“We don’t believe that the vagina should be given this platform to speak without proper penile representation. No platform has been given for the penis to present its views and we believe this is patently unfair.”
If only you could see my mother roll her eyes. It’s like she invented it and has been doing nothing but practicing her mastery of the skill her whole life. It’s truly amazing.
“Have you even seen the show?”
“Of course not. You can’t properly boycott something if you have full knowledge of it. Look at the Italian-American boycott of ‘The Sopranos’ — the leaders of the protest group had never even seen a single episode of the series. They managed to get quite a bit of attention for themselves. That one woman even landed an Olive Garden commercial — now tell me that’s not irony.”
“But you hate those people. And that restaurant.”
“Exactly. But seriously, how ridiculous am I, if they’re not.”
“You lost me.”
“Exactly. Now if you’ll excuse me, I have a costume to put on. I am this boycott’s mascot, after all.”
Various excerpts for your amusement:
“Are you okay now?”
“Yeah, I’ve learned to focus my chi, the energy that flows from all things and binds all things together.”
“Are you serious?”
“No, not at all. I’m still the Ragin’ Cajun.”
“But you’re not Cajun.”
“No, not at all. I’m still the Jumpy Jew.”
“But you’re not–”
“Yes I am.”
I realize I’ve been talking about all the things I hate — I hadn’t realized there were so many, enough to carry me through the first half of a month — and haven’t mentioned a thing that I love, that I truly love. So I will do so here:
I really love, and I mean this with all my heart, corn flakes. Corn flakes, I feel, are the single-most perfect item, food-related or not, on the face of the earth. Perfection has not been achieved before or since that fateful day in 1894 when William Kellogg accidentally invented the corn flake. You heard me right — it was an accident. It is often overlooked when discussing accidental inventions — penicillin, cheese, and the Incredible Hulk get all the press — and nobody knows the tale of W.K. Kellogg and his magic grains.
You see, Kellogg was an Adventist, and therefore, apparently, a vegetarian, and he was looking for a way to improve the diet of people in the little crazy house he ran. So one night he’s stirring up some grain to try to make an easily digested bread substitute and he lets it sit out and the grain tempered over night. The next morning, he checks it out and discovers that when the grain is rolled, it comes out as these nicely formed flakes that taste pretty good. Blammo! Corn Flakes!
I recognize — and love — the humor of walking into Walgreen’s — no babbling this time — to buy some spackle and a bottle of Veryfine Relax juice, flashing my bloody knuckles at the cashier. This sort of Just in Time purchasing is like buying an umbrella when it’s pouring or razors and shaving cream with three days worth of growth on my face. It just reeks of a general lack of preparation.
“Will? That card doesn’t say ‘take me to my hotel.'”
“It doesn’t? I didn’t know you knew Japanese, Sheila.”
“Yeah, a little.”
“So?”
“It says, ‘I am an American. I dropped the nuclear bomb that ruined parts of your country for generations. I caused you untold amounts of pain and misery and suffering and now I am here, on your land, completely at your mercy.'”
“It says all that?” The card didn’t look big enough to cover all that.
“Yep. More or less. It’s a good thing your father never used it in Japan.”
“Hell, it’s a good thing I didn’t use it when I was at camp.”
The next note says, “Every breath you have left is shallow and uninspired.” I quickly check my breathing. Seems okay. A little raspy perhaps, but nothing to worry about.
“Who’s writing these?” Sheila is very concerned.
“I don’t know. A co-worker? An ex-girlfriend? You?”
She laughs, “Like I’d threaten you, Will. You’re all I’ve got.”
“You keep saying these are threats. I don’t find them all that threatening.”
“Well, they’re ominous anyway. You’d agree they’re ominous, right?”
“I can only go as far as ‘slightly morbid.'”
“Regardless, they’re downers and who goes around writing downer notes to someone?”
“They obviously have more time on their hands than I do. I like this one, though. I have been uninspired lately. And breath and inspiration are so closely linked. It’s a brilliant play on words. And then there’s the word ‘shallow’ –”
“Will?”
“Sorry. I just wouldn’t go reading too much into these. If I told you, ‘One day, eventually, you will die your eventual death,’ would you be worried or just annoyed at my stating the obvious and my poor grammar?”
“That’s a relaxed attitude you’ve got there.”
“Well, if there’s one thing I know how to do, it’s accept the inevitable. It’s the unknown I’m not so good with.”
He starts talking to me about the newspaper I’m reading — an offshoot of the Tribune geared, allegedly, towards my generation. The graphics are “hipper” and the writing is more “cutting edge” and the whole thing, if you ask me, is a big “piece of crap.” But, I’ll read just about anything, and so I am skimming an article about Winona Ryder’s court decision. It’s on the front page of this paper. Thank God nothing’s going on in Iraq today, huh? Oh wait; there is. Well, it’s a good thing nobody in my generation needs to know about it.
Anyway, this guy’s the kind that knows things like how Colonel Robert R. McCormick would be rolling in his grave if he could see what the Tribune was doing today.
“You know, they’re basically demanding that we go to war with Iraq. All those inflammatory headlines and propaganda. Bob McCormick realized the terror of war when he was in Mexico and in Paris back in the ‘teens. He came back feeling that the US should never get involved in these sorts of conflicts. He’d never approve of that headline.”
The offensive headline, “Ryder Convicted on 3 Counts” had very little to do with Iraq, but in a way, it did make me want to fight.
“I think you’re talking about the Sun-Times, sir. Their headlines are a bit more slanted — look over there. It says, ‘We Must Bomb the Shit out of Iraq.'”
“The Sun-Times is one of the 10 biggest daily newspapers in the country.”
“By big, you mean in size and not circulation, right?”
“No, it’s actually one of the tiniest papers there is,” he said, indicating the size of the paper with his thumb and forefinger. “The largest is the Greensboro, North Carolina Sentinel which runs an average of 530 pages a day.”
Then it’s an Eastern European woman talking with her Slavic sounds, munching through an apple, encroaching on my space and now — you won’t believe this — she’s cutting dead skin from her fingertips with a pair of cuticle scissors. Now clipping her nails, one of my ten most-hated sounds (in no particular order: slurping; munching; nose-breathing; the sound of a Zippo lighter being flicked open and closed repeatedly; gargling; stomping; clarinet; the sound people make when they suck on their teeth; nail clipping; and self-rightousness.)